PRESS ARCHIVE
Click a logo to read further.
MAY 8, 2019
“The germ of the festival, Matschullat says, grew out of an interdisciplinary project she was working on at Harvard, where she teaches. It was a performance piece about the 1969 moon landing, and it involved a cadre of engineers and theater artists.”
MAY 19, 2014
“This new software application, the creation of stage director Kay Matschullat and developer by Andrew Mirsky, is meant to do to the rehearsal practice of script alternations…[and] usher it into the smooth and slick digital age where neither paper or time is wasted.”
MAY 5, 2011
“Matschullat deserves special commendation for her tactic of requiring Vega to pour drinks and read letters, thus nudging her away from a stand-and-deliver concert-style performance.”
OCTOBER 20, 2004
“Thida is the heroine of Catherine Filloux's "Eyes of the Heart," a beautifully done one-act drama about the place where horror and grief meet…The show, expertly directed by Kay Matschullat, continues at 508 West 53rd Street through Oct. 30…”
AUGUST 14, 1997
“Director Kay Matschullat has captured all the humor that is in the play’s nonsensical story. She has made the characters real enough to make the audience care about them, but never lets them take themselves too seriously.”
JULY 3, 1991
“Matschullat makes fine use of an enormous cast, and even her bit players have their moments of glory. She fills the cramped Madison stage with colorful life. In the end, “Skin of Our Teeth” comes up smiling.”
DECEMBER 17, 1986
“The dialogue is so clever and so gracefully delivered under the direction of Kay Matschullat that for a while it bears you happily along.”
DECEMBER 7, 1987
“On a recent Saturday afternoon, we went to N.Y.U.’S Tisch School of the Arts along with some seventy senior citizens to attend a special performance of an undergraduate production of Elmer rice’s 1929 Pulitzer Prize-winning play “Street Scene.” The matinee was the brainchild of Kay Matschullat, a busy young woman who was the show’s guest director.”
DECEMBER 29, 1986
“The Hudson Guild has redeemed at one stroke all those dudes the past few years with its production of Derek Walcott’s beauitful, ironic two character comedy ‘Pantomine’…The play, as directed by Kay Matschullat, moves swiftly, and the enthralling words of Derek Walcott are done full justice.”
OCTOBER 26, 1986
“When the Cleveland Play House agreed to present the world premiere of prize-winning poet/playwright Derek Walcott’s new play, ‘To Die for Grenada,’ Walcott strongly recommend one director for the production- Kay Matschullat.”